| I - FIRST STAINED GLASS WINDOW. BLACKOUT, 2018 - 2019.
DUPLICATE OF THE SANDALS’S ORNAMENT OF THE FOOT OF S. LUCAS WHEN UNCOVERED BY
THE VESTS Clay, acrylic spray and color markers on blackout cloth 100X150cm II - SECOND STAINED GLASS WINDOW. BLACKOUT, 2018 - 2019. DUPLICATE OF THE PHYSIOGNOMY OF THE WRINKLES WHICH SUPPORTED THE FIXED EYES IN THE MOVEMENT OF THE PEN Clay, acrylic spray and color markers on blackout cloth 100X150cm III - THIRD STAINED GLASS WINDOW. BLACKOUT, 2018 - 2019. DUPLICATE OF A MULBERRY EMBROIDERED IN THE WRITER'S SLEEVE WHEN SET LOOSE FROM THE THORNS Clay, acrylic spray and color markers on blackout cloth 100X150cm IV – FOURTH STAINED GLASS WINDOW. BLACKOUT, 2018 - 2019. DUPLICATE OF THE BULL’S WING ON TOP OF THE SYMBOL Clay, acrylic spray and color markers on blackout cloth 100X150cm V - FIFTH STAINED GLASS WINDOW. BLACKOUT, 2018 - 2019. DUPLICATE OF THE FIRST LETTER IN GOLDEN LINES WITHIN WHICH THE MINIATURE IS COMPOSED AND ADJUSTED Clay, acrylic spray and color markers on blackout cloth 100X150cm VI - SIXTH STAINED GLASS WINDOW. BLACKOUT, 2018 - 2019. DUPLICATE OF THE COLUMNS CROWNED WITH ACANTHUS LEAVES WHICH INVADED THE CLOSED SPACE WITH LANDSCAPE Clay, acrylic spray and color markers on blackout cloth 100X150cm VII - SEVENTH STAINED GLASS WINDOW. BLACKOUT, 2018 - 2019. DUPLICATE OF THE REMEMBRANCE OF A LOST BRILLIANT PIN WHOSE CHROMATIC COMPOSITION WAS TRANSLATED IN A MELODY Clay, acrylic spray and color markers on blackout cloth 100X150cm VIII - EIGHTH STAINED GLAS WINDOW. BLACKOUT, 2018 - 2019. DUPLICATE OF THE BAS-RELIEF OF THE STAGE FRAME, MATCHING WITH THE NARRATIVE OF THE CHAIR, WHERE ALL THE WEIGHT REMAINS Clay, acrylic spray and color markers on blackout cloth 100X150cm IX - NINETH STAINED GLASS WINDOW. BLACKOUT, 2018 - 2019. DUPLICATE OF THE TINY COLORFULL LINES THAT MAKE THEBLACKNESS OF THE WORD IMAGO Clay, acrylic spray and color markers on blackout cloth 100X150cm X - TENTH VITRAL. BLACKOUT, 2018 - 2019. DUPLICATE OF NODOSITIES OF THE FINGERS PRESSING THE CHIN TO NARROW THE MOUTH AND OPENING IT TO CALLIGRAPHIC EXPRESSION
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2019